Saturday, July 24, 2010

Words are lovely

Let's read someone who says it better than I do:

(Reprinted WITHOUT permission)

Perhaps the World Ends Here

by Joy Harjo

The world begins at a kitchen table. No matter what,
we must eat to live.
The gifts of earth are brought and prepared, set on the
table so it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe
at the corners. They scrape their knees under it.
It is here that children are given instructions on what
it means to be human. We make men at it,
we make women.
At this table we gossip, recall enemies and the ghosts
of lovers.
Our dreams drink coffee with us as they put their arms
around our children. They laugh with us at our poor
falling-down selves and as we put ourselves back
together once again at the table.
This table has been a house in the rain, an umbrella
in the sun.
Wars have begun and ended at this table. It is a place
to hide in the shadow of terror. A place to celebrate
the terrible victory.
We have given birth on this table, and have prepared
our parents for burial here.
At this table we sing with joy, with sorrow.
We pray of suffering and remorse.
We give thanks.
Perhaps the world will end at the kitchen table,
while we are laughing and crying,
eating of the last sweet bite.

"Perhaps the World Ends Here" by Joy Harjo, from Reinventing the Enemy's Language. © W.W. Norton and Co., 1998.

Rule: Think of what the dining table/space means to you. Post comments. Also, when it is continually 90 degrees F and muggy as all getout, PICK UP YOUR DOG DOOKS. Oh the humanity. (Doo-manity)

Sunday, July 18, 2010

France!

Sooooooo, in case you missed the bragging, here are the photos.

http://picasaweb.google.com/thatgirl.sandy/France2010#

Rule: The croissants are always better in France. (it's the butter. and the skill)

Thursday, June 24, 2010

Can't talk now; France.

Lots of super Frenchy experiences thus far including but not limited to: eating pain au chocolat in the morning, looking at attractive people, being affected by people going on strike (this was partially in our favor, as we ended up not having to pay for TGV tickets, woohoo!), wearing a scarf, and listening to Django-style guitar on the Seine.

Monday, June 14, 2010

Slurpy times but not those slurpy times.



So, yeah. This is me. "What an unflattering photo!" You might think. And yeah, it's pretty horrendous. But I don't care. Because I'm eating a mango.

I think that instead of everybody reading Michael Pollan (I mean... do read Michael Pollan and Wendell Berry and all those fun people) and having those people try to really slow down to eat, all people - allergic ones aside - should be given a mango and a knife. And maybe a sink or a tub or something.

Do you ever look at children, or even animals eating fruit and get a little bit envious? They way they just don't care, they love the food so much they kinda rub it on their heads or shove their faces into it? They are seriously relishing, reveling, and rioting in their food. We don't really do that anymore as adults in such a privileged country. Except when we eat mangoes.

You see, my friends, there is not a very good way of efficiently chopping up a mango. Mango pitters are just stupid; you really need to feel out the tasty portions near the pit with your teeth anyway or else you get some bitter, fiberous crap that makes you angry and gets stuck in your gums. The best way I know of to eat a mango is to slice off lobes from all four sides, then slicing a tic-tac-toe board into the fleshy side not quite to the skin. You then push at the center of the lobe from the other side, making it go from concave to convex, and the squares of mango extend and present themselves for eating.

Generally, it's easiest to eat this part with two hands. You can just nimbly grab the cubes with your teeth and pull them from the outer skin and you get delicious, sweet mango. Peeling with a vegetable peeler is okay, but you have to peel it about a thousand times over because there is a visually imperceptible layer under the skin that is still bitter, but looks like the tasty mango goodness. After eating all four lobes, you have a piece of mango that's shaped like a long shoebox. You look at it longingly, knowing the pit isn't really that big, and there's all that tasty mango left. Slicing it would be time-consuming. So, you pick it up with both hands, and just start gnawing at it, letting the tender parts tear gently from the pit and slide into your mouth. By this point, you should have mango on your cheeks, juice running from your palms to your elbows, and maybe a tiny fleck of mango on your nose.

You cannot ignore the mango at this point. Eating a mango is an attention-consuming, sense-engulfing, golden-juice-dripping process. You need to devote all of your concentration to eat this succulent thing. You can't check Facebook while eating it, unless you want your keyboard to be a sticky ant-incinerator (my laptop gets very hot). You need to be vigilant or the naked mango will go shooting from your slippery hands. Speaking of hands, eating a mango takes both of them. It takes a bit of time. It creates a great amount of enjoyment: the creamy, floral aroma; the clean, sweet taste with a hint of grass; the happy-colored fruit; the sheer hedonistic pleasure of taking food into your bare hands and putting it straight to your face. How can anyone be oblivious to a food that looks like sunshine and gets all over your upper body in the process?

More brazen than peaches, but with a similar satisfying, juicy ripeness, and less organized and chaste than an orange, mangoes are the symbol of happy, unabashed, carnal nature. A mango is that girl whose slept with everybody, but genuinely and consummately loved each of her companions. She's never been the prettiest or the most proper, but has always been the most fun. She forgets her purse everywhere, but all it has in it is lipstick, firecrackers, and cab fare. However, she remembers everybody's name, and never fails to pick flowers for every lonely person. The mango is tender, bright, hefty, and sensual.

Thanks, mangoes, for helping us understand the slow food movement.

Rule: Eat mangoes only with your hands and a knife. Also, throw out your mango-pitter if you have one. They're so silly.

Thursday, May 27, 2010

This is what summer should be.

Via Prince of Petworth:



Rule: Enjoy the outdoors. With your face. In some nature.

Monday, May 24, 2010

Critiquing/Revision time

So, that last post that I posted was definitely not a shining gem. I figured I'd take you along for the thrill ride of a first revision. Now, this is how I would critique any work, and this may not be your style, or a recommended style, but this is how I do. Hope you find it interesting.

It's about to storm outside. The hall smells like warm licorice. It's overwhelming this sentence really describes nothing. The weight of the air feels like a bed sheet. The kind that diffuses light in the morning and my eyelashes brush against it as I blink myself awake not sure if this is a good analogy.

Outside, there is the metallic smell of earth, and the sweet smell of vegetation. Water makes everything bolder, fearless switch with next sentence, also, this needs to be less of a command. The scent of the outdoors gets stronger when it gets wet, as it absorbs, breathes, comes to life. The smell gets into your upper sinuses - a cloud that floats into your brain and hangs there is this an exciting sentence?. Water atoms glide around each other, stirring thoughts what thoughts? why? we need a hint of the thoughts.

I have a headache that sits like an animal at the back of my skull. It sulks there, cold and shuddering where my spine connects with my brain stem conflicted about the use of official terms vs vernacular. I'm re-reading The Secret Garden and imagine this rain on the garden. Plump, warm drops enriching the secret. Whispering on each leaf and then what? The Secret Garden goes nowhere. Perhaps these are the thoughts that are being stirred?. When I breathe the storm-pregnant air, it makes me excited for the coming release release of what? need a hint.. It feels like I've swallowed something cottony but rich MOAR DESCRIPTION PLZ. New paragraph It is as though I have walked to the back of my mouth, and I am looking down the sheer cliff of my throat, straight down into the pit of my stomach, and in it, I see life, that hot and glowing brick I don't know if I buy this description. I am exhilarated by the height, the thought of the drop. I imagine this is how raindrops feel: air rushing by their round faces, the thrilling fall, the eager anticipation to be accepted completely by the earth Good sentence, but must scrap. Not what the narrator is concerned about.

The piece has a lot of description and few crucial mini-subjects/points. They are the stirred thoughts, the headache, the secret garden, and the obvious life-examination. None of these points are linked, and none of them are fully explained. Perhaps the headache that occurred during the writing of this caused that, but now the headache is gone and it's time to cut and figure out what the real message or feeling this piece is supposed to convey. Take out the "stirring thoughts" portion; it's obvious that the narrator is thinking, and there's no reason for that to be in there. Expand on the Secret Garden or take it out completely. It seems as though this might have been just a passing thought that has no relevance to the whole. The main point of the piece seems to be the last paragraph about the exhilaration of life, and how the narrator comes alive with thought and examination just as nature comes alive when it rains. It seems to be a piece about marveling and possibly reveling, and less about relationships; which makes the last sentence incongruous. Main thoughts: cut out a lot of stuff, figure out the real point, because it seems as though the piece was just rambling to figure out the real point/what the narrator is thinking or wants to say, which starts to show itself near the end.

Rule: Revise your stuff. Read Annie Dillard. Then revise your stuff again.

Monday, May 17, 2010

Topical inane musings: Weather edition

It's about to storm outside. The hall smells like warm licorice. It's overwhelming. The weight of the air feels like a bed sheet. The kind that diffuses light in the morning and my eyelashes brush against it as I blink myself awake.

Outside, there is the metallic smell of earth, and the sweet smell of vegetation. Water makes everything bolder, fearless. The scent of the outdoors gets stronger when it gets wet, as it absorbs, breathes, comes to life. The smell gets into your upper sinuses - a cloud that floats into your brain and hangs there. Water atoms glide around each other, stirring thoughts.

I have a headache that sits like an animal at the back of my skull. It sulks there, cold and shuddering where my spine connects with my brain stem. I'm re-reading The Secret Garden and imagine this rain on the garden. Plump, warm drops enriching the secret. Whispering on each leaf. When I breathe the storm-pregnant air, it makes me excited for the coming release. It feels like I've swallowed something cottony but rich. It is as though I have walked to the back of my mouth, and I am looking down the sheer cliff of my throat, straight down into the pit of my stomach, and in it, I see life, that hot and glowing brick. I am exhilarated by the height, the thought of the drop. I imagine this is how raindrops feel: air rushing by their round faces, the thrilling fall, the eager anticipation to be accepted completely by the earth.

Rule: Splashing around in rain and puddles then taking a hot shower or bath is the best thing ever. No way that is not the best thing ever.